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Concert Two

The second Hobart concert took place on Thursday the 15th of February, 1827 at the Court House on Murray Street, Hobart. It was reportedly not well attended, and the Hobart Town Gazette claimed that the entertainment did not ‘go off with spirit’.  

Program

First Part

Overture

Luigi CHERUBINI (1760-1842)

Milton’s Masque of Comus

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Performers: Likely the full band.

Glee

William KNYVETT (1779-1856)

The Bells of St. Michael’s Tower

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Performers: Unidentified vocalists.

Song

Charles Edward HORN (1786-1849)

‘Tis Love in the Heart (rondo, in The Election)

 

Performers: Unidentified vocalist.

Concerto, Violin

Giovanni Battista VIOTTI (1755-1824)

Work not identified.

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Performers: John Philip Deane (violin)

Song

Charles Edward HORN (1786-1849)

Cherry Ripe

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Performers: Unidentified vocalist.

Glee

Henry Rowley BISHOP (1787-1855)

The Chough and Crow (from Guy Mannering)

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Performers: Unidentified vocalists.

Concerto, Clarionet

Nicholas Charles BOCHSA (1789-1856)

Work not identified.

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Performers: Joseph Reichenberg (clarinet); with full band, or piano accompaniment

Second Part

Sinfonia, Military Band

Marco PORTOGALLO (1762-1830)

Work not identified.

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Performers: Band of the 40th Regiment; Joseph Reichenberg (Master)

Glee

Henry Rowley BISHOP (1787-1855)

Stay, Prythee Stay (from the opera The Miller and his Men)

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Performers: Unidentified vocalists.

Concerto, Piano Forte

Daniel STEIBELT (1765-1823)

Work not identified.

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Performers: Unidentified pianist, likely with the full band.

Song

Charles Edward HORN (1786-1849)

Burlington Bay (“The rain fell in torrents”)

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Performers: Unidentified vocalist.

Sonata, Piano Forte and Violin

Ignaz PLEYEL (1757-1831)

Hope Told a Flattering Tale

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Performers: Unidentified pianist and vocalist.

Duett

Henry Rowley BISHOP (1787-1855)

I Love Thee

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Performers: Unidentified vocalists.

Anthem

God Save The King

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Performers: Likely the full band.

Reviews

'THE SECOND CONCERT

Hobart Town Gazette, 24 February 1827, p. 2.

'...nothing could exceed the real pleasure which seemed to pervade young and old - it did not go the length indeed of mirth (except, when according to a barbarous but ancient custom, a foolish comic song was introduced) but it was of a more elevated kind, though equally pleasurable.'
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