Hearing the Music
of Early New South Wales

Coady, Christopher, Amanda Harris, Neal Peres Da Costa and Nicole Cherry (eds), 'Musical Entanglements and Artistic Research in Australia', Special Issue of Music & Practice, forthcoming 2025.

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Harris, Amanda, ‘Iconic Musical Sites in Australia’, in The Cambridge Companion to Music in Australia, Amanda Harris & Clint Bracknell (eds.) (Cambridge: Cambridge University Press, 2024), 311-326.

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Peres Da Costa, Neal 'The Case for Un-Notated Arpeggiation in Beethoven's Compositions for or Involving the Piano', in Beethoven and the Piano. Philology, Context and Performance Practice, eds. hg. von Leonardo Miucci, Claudio Bacciagaluppi, Daniel Allenbach und Martin Skamletz (Schliengen: Argus 2023), https://doi.org/10.26045/kp64-6180.

Stephens, Matthew, ‘A Decorated Tune in a Decorated Room: Interpreting the Musical Palimpsest in Historic House Museums’, in Sound heritage: making music matter in historic houses, Jeanice Brooks, Matthew Stephens & Wiebke Thormählen (eds.) (Abingdon, Oxon; New York: Routledge, 2022).

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Stephens, Matthew, ‘From Piano Stool to Library Shelf: Reconnecting Library and Museum Owner-Bound Music Collections with Audiences’, in Memories of Musical Lives: Music and Dance in Personal Music Collections from Australia and New Zealand, Rosemary Richards and Julja Szuster (eds.) (Melbourne: Lyrebird Press, 2022) 

Russoniello, Julia, ‘A History in Blue Pencil: Cyril Monk’s Performance Annotations and a Bygone Musical Style’, Musicology Australia, vol. 44 (2021):  pp. 1-25.

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Troy, Jakelin, ‘Singing from the Mountains: when things really go right in Indigenous research a story of creative collaboration and Ngarigu cultural renewal’ in Keeping Time, Sally Treloyn, Amanda Harris, Nick Thieberger & Myfany Turpin (eds.) (Sydney: Sydney University Press, 2024), 313-323.

Harris, Amanda & Clint Bracknell, ‘Introduction and Historiography of Music in Australia’, in The Cambridge Companion to Music in Australia, Amanda Harris & Clint Bracknell (eds.) (Cambridge: Cambridge University Press, 2024), 1-20.

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Brooks, Jeanice, Matthew Stephens, & Wiebke Thormählen (eds.) Sound heritage: making music matter in historic houses (Abingdon, Oxon; New York: Routledge, 2022)

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Peres Da Costa, Neal (2022). 'Performance Practices for Romantic and Modern Repertoire'. In Gary E. McPherson (Ed.), The Oxford Handbook of Music Performance, Volume 1. New York: Oxford University Press.

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Foster, Shannon and Amanda Harris, ‘Informing practice through collaboration: listening to colonising histories and Aboriginal music’, in Creative Research in Music: Informed practice, innovation and transcendence, Anna Reid, Neal Peres Da Costa & Jeanell Carrigan (eds.) (New York: Routledge, 2021), pp. 82-92.

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Skinner, Graeme, ‘Eliza Hamilton Dunlop, Irish and colonial melodist: her songs for music and collaborations with Isaac Nathan’, in Eliza Hamilton Dunlop: Writing from the Colonial Frontier, Anna Johnston & Elizabeth Webby (eds.) (Sydney: Sydney University Press, 2021), pp. 121-158.

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Case, Laura and Amanda Harris, ‘Cultivating European concert culture in early colonial towns’, in The Cambridge Companion to Music in Australia, Amanda Harris & Clint Bracknell (eds.) (Cambridge: Cambridge University Press, 2024), 93-110.

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Troy, Jakelin, “Standing on the Ground and Writing on the Sky: An Indigenous Exploration of Place, Time, and Histories” In Everywhen: Australia and the Language of Deep History, edited by Ann McGrath, Laura Rademaker and Jakelin Troy (Lincoln: University of Nebraska Press & American Philosophical Society, 2023).

Peres Da Costa, Neal, Helen Mitchell & Matthew Stephens, ‘The Dowling Songbook Project’, in Sound heritage: making music matter in historic houses, Jeanice Brooks, Matthew Stephens & Wiebke Thormählen (eds.) (Abingdon, Oxon; New York: Routledge, 2022).

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Harris, Amanda, Linda Barwick & Jakelin Troy, ‘Embodied Culture and the Limits of the Archive’ in Music, Dance and the Archive, Amanda Harris, Linda Barwick & Jakelin Troy (eds.) (Sydney: Sydney University Press, 2022), pp. 1-13.

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Mitchell, Helen, Neal Peres Da Costa & Matthew Stephens, ‘The Dowling Songbook Project: A Uniquely Australian Opportunity in HIP Learning’, in Creative Research in Music Informed Practice, Innovation and Transcendence, Anna Reid, Neal Peres Da Costa & Jeanell Carrigan (eds.) (Abingdon, Oxon; New York: Routledge, 2021).

Troy, Jakelin & Linda Barwick, ‘Claiming the "Song of the Women of the Menero Tribe"’, Musicology Australia, vol. 42, no. 2 (2021), pp. 85-107.

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