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Concert Four

The fourth Sydney concert was held on Wednesday the 9th of August, 1826 in the New School Room of the Old Court House in Castlereagh Street, Sydney. Around 300 people attended the conference. 

While the performances were largely applauded, The Monitor felt that ‘too little time [was]... allowed for conversation’ and that the concerts could be made more ‘agreeable’ if there were more intervals. 

Program

First Part

Overture

Andreas Jakob ROMBERG (1767-1821)

Work not identified.

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Performers: Likely all instrumental performers.

Song

John STEVENSON (1761-1833)

When the Rose-Bud of Summer

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Performers: Harriet Jones (vocalist)

Glee

Michael KELLY (1762-1826)

Sailor Boy​

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Performers:  Unidentified vocalist.

Duetto, Flutes

Wolfgang Amadeus MOZART (1756-1791)

Air from Don Giovanni

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Performers: Joshua Frey Josephson (flute); George Sippe (flute)

Song

Benjamin COOKE (1734-1793)

When the Trumpet of War

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Performers: John Edwards (bass vocalist)

Comic Song

Composer not identified.

Work not identified.

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Performers: Mr Paul (vocalist), or Barnett Levey (vocalist)

Air with variations, Violin

James SANDERSON (1769-1841)

Work not identified.

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Performers: John Edwards (violin)

Second Part

Overture

Pierre-Alexandre MONSIGNY (1729-1817)

The Deserter

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Performers: Likely all instrumental performers.

Glee

‘John Scotland’, aka George BERG (c. 1720-1775)

Lightly Tread, ‘tis Hallowed Ground

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Performers: Harriet Jones (vocalist); and 2 others (vocalists)

Recitative & Air

George Frederick HANDEL (1685-1759)

Awful, Pleasing Being Say (from Joshua)

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Performers: John Edwards (bass vocalist)

Comic Song

Anonymous.

The Nightingale Club

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Performers: Mr Paul (vocalist), or Barnett Levey (vocalist)

Duetto

John BRAHAM (c. 1774-1856)

All’s Well (Deserted by the Waning Moon)

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Performers: Mr. Clarke (vocalist); Barnett Levey (vocalist)

Reviews

'FOURTH CONCERT

The Monitor, 11 August 1826, p. 5.

'The duet on flutes, elicited some delightful strains from Master Josephson. We think we never heard finer tones than were produced by this young gentleman. The execution was equally good.'

'FOURTH CONCERT

The Monitor, 11 August 1826, p. 5.

'"When the rose-bud of Summer" was sung by Mrs. Jones. This lady has a good voice, sings sweetly and unaffectedly, and her manners are graceful and engaging...We consider the talents of this lady a very great acquisition...'

'THE CONCERT'

The Australian, 12 August 1826, p. 3.

'The admirers and promoters, not oven omitting the supporters of this increasingly and generally fascinating diversion, were fully gratified on Wednesday evening.'

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We acknowledge the Traditional Owners and Custodians of the lands on which we live and work. We pay our respects to Elders past and present. 

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