Hearing the Music
of Early New South Wales
Concert Six
The sixth Sydney concert was held on Wednesday the 6th of September, 1826 in the School Room of the Old Court House in Castlereagh Street, Sydney. It was held on a fine night, with the concert commencing at 7.30pm. Attendees were slow to enter, but eventually started ‘pouring in en masse’. The comic songs were particularly well received, with Barnett Levy’s performance of ‘The Mail Coach’, causing the audience to ‘convulse…with laughter’.
Program
First Part
Overture
Song
William HAWES (1785-1846)
Father William
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Performers: John Edwards (bass vocalist); George Sippe (pianoforte)
Glee
John WHITAKER (1776-1847)
The Minstrel Boy​
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Performers: Mr. Clarke (tenor vocalist); Mr. Paul (vocalist); John Edwards (bass vocalist); George Sippe (pianoforte)
Ballad
John WHITAKER (1776-1847)
Oh! Say Not a Woman’s Love is Bought!
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Performers: Harriet Jones (soprano vocalist); George Sippe (pianoforte)
Comic Song
Comic Glee
John Wall CALLCOTT (1766-1821)
When Arthur First at Court Began (in Arnold’s The Battle of Hexam)
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Performers: Mr. Clarke (tenor vocalist); James Blanch (tenor vocalist); John Edwards (bass vocalist); George Sippe (pianoforte)
Second Part
Overture
Scotch Ballad
Composer not identified.
Let us Haste to Kelvin Grove
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Performers: Mr. Clarke (tenor vocalist); George Sippe (pianoforte)
Glee
Composer not identified.
A Canadian Boat Song
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Performers: Mr. Clarke (tenor vocalist); Mr. Paul (vocalist); John Edwards (bass vocalist); George Sippe (pianoforte)
Song
Composer not identified | Words by Robert Burns.
Ye Banks and Braes
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Performers: Harriet Jones (soprano vocalist); George Sippe (pianoforte)
Comic Song
Song
William SHIELD (1748-1829)
The Thorn
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Performers: James Blanch (tenor vocalist); George Sippe (pianoforte)
Overture
Simone MAYR (1763-1845)
Adelaide de Guesclino
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Performers: Full orchestra; John Edwards (violin, leader)
Reviews
'THE CONCERT'
'The opening overture was well executed, and pleased generally. We can't with justice say as much for the song which followed - neither sweetness, variety, spirit, or feeling, was the air remarkable for. A quaint, formal expression of piety pervaded the words, and formed the only commendatory feature to be discovered throughout the entire song.'
'AMATEUR CONCERT'
The Sydney Gazette and New South Wales Advertiser, 9 September 1826, p. 3.
'Rossini's Overture to Tancredi commenced the second part, after which Mr. Clark sang the beautiful Scotch ballad, "Kelvin Grove" with an union of sweetness and spirit seldom surpassed. It was listened to with a silence scarcely disturbed by respiration, and the effect it produced is almost indescribable.'
'THE CONCERT'
The Australian , 9 September 1826, p. 3.
'The second commenced shortly after with Rossini's overture to Tancredi. It was exceedingly well performed. Mr. Edwards led with the violin, in a very masterly style. An amateur, Mr. J. Paul, played the tenor very creditably.'